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Reading: The Dink review: Apple TV hits a grand slam with Jake Johnson
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The Dink review: Apple TV hits a grand slam with Jake Johnson

RAMI M.
RAMI M.
Jul 24

TL;DR: Driven by a brilliantly unhinged performance from Jake Johnson and an exceptionally funny supporting cast, The Dink overcomes its predictable sports movie formula to deliver a surprisingly sweet, laugh-out-loud comedy that serves up plenty of heart on the court.

The Dink

4 out of 5
WATCH ON APPLE TV

I have watched my fair share of underdog sports comedies over the years, but I never expected the plastic paddle phenomenon of pickleball to get the full Hollywood treatment. In director Josh Greenbaum’s new streaming feature The Dink, we get a story that proudly leans into every single trope from classic early two-thousands slacker cinema. The plot centers on Dusty Boyd, a washed-up former tennis prodigy who derailed his promising professional career after a humiliating injury and now spends his days bitterly instructing children at his family country club. When his overbearing father declares war on the rising popularity of pickleball, Dusty accidentally injures himself again and finds an unlikely path to physical rehab through the very sport he claims to despise. As I sat through this absurd narrative setup, I realized that while The Dink relies on a formula as old as time, its genuine warmth and self-aware humor keep it consistently afloat.

What makes watching The Dink such an entertaining ride is how it embraces its predictable narrative structure without ever feeling cynical. We have seen this exact trajectory before in movies where an arrogant loser hits rock bottom, joins a ragtag group of misfits, and slowly rediscovers his passion for life. Yet, the screenplay written by Sean Clements breathes fresh energy into the setup by treating the central conflict with deadpan gravity. The comedic tension between traditional tennis purists and the sudden influx of casual paddle enthusiasts provides an endless well of ridiculous banter. I found myself chuckling at how seriously every character takes this low-impact pastime, creating a delightfully heightened universe where every court battle feels like a high-stakes duel. The pacing stays remarkably breezy throughout its hundred-minute runtime, making sure the gags land with rapid precision without dragging out the central conflict.

At the heart of why The Dink succeeds so well is its lead performance from Jake Johnson, who has utterly perfected the art of playing a charmingly flawed idiot. Drawing on the same unhinged yet endearing energy that made his television work so iconic, Johnson plays Dusty as a man stubbornly clinging to past glories while desperately seeking approval. His chaotic presence is balanced brilliantly by Mary Steenburgen, who plays his doubles partner Candace with a grounded elegance that grounds the entire film. Watching their unlikely alliance flourish on the court gives The Dink a surprisingly tender core that elevates it far above standard slapstick fare. Their natural comedic chemistry turns basic back-and-forth dialogue into pure gold, proving that a solid emotional tether can make even the most ridiculous sports premise feel deeply engaging.

The supporting cast surrounding them in The Dink is equally loaded with comedic heavyweights who pull their weight in every single scene. Aaron Chen delivers a star-making turn as Dusty’s overly submissive coworker PJ, stealing entire sequences with his bizarrely monotone delivery and uncanny comic timing. Meanwhile, Ed Harris leans into pure comedic gold as Dusty’s intimidating father, delivering terrifying monologues that treat the rise of pickleball like a global catastrophe. Add in hilarious cameo appearances from Ben Stiller as an erratic doctor and real-life tennis legends like Andy Roddick and John McEnroe, and you get an ensemble that is having the absolute time of their lives. Even when the script occasionally stumbles over its own tonal identity, switching between broad farce and quiet character study, the cast remains completely committed to the bit.

Ultimately, The Dink stands as a delightful throwback to the mid-budget studio comedies we so rarely get to see on streaming platforms these days. It certainly does not reinvent the wheel, nor does it try to subvert the sports genre in any groundbreaking way, but its infectious charm and killer ensemble make it a complete winner. I walked in expecting a cheap cash-in on a trendy sport, but I walked away thoroughly entertained by its heart, sharp banter, and stellar comedic performances. If you are looking for a breezy, hilarious ninety minutes that offers plenty of laughs without taking itself too seriously, picking up your remote to stream The Dink is an absolute no-brainer.

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