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Reading: TOD Studios’ new Gulf series takes aim at family, society and the internet
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TOD Studios’ new Gulf series takes aim at family, society and the internet

MAYA A.
MAYA A.
Oct 6, 2026

TOD by beIN is adding another Gulf drama to its original slate, and this one goes in a darker direction than usual. The streamer, part of beIN MEDIA GROUP, has signed an agreement with Kuwait-based production company GHMZA Group to develop a psychological and social thriller under its TOD STUDIOS banner. The series will be shot and produced entirely in Kuwait.

So far, very little is known beyond that. There is no title, no cast, no named director or writers, and no production schedule or release window. What has been confirmed is the subject matter. The series will focus on younger Gulf audiences and how their relationships with family, society and the digital world are changing. That’s a timely theme for a region with some of the highest social media and smartphone use in the world, and it’s a gap regional drama hasn’t always filled well. Gulf television has traditionally relied on family sagas and Ramadan melodramas, and a thriller built around the pressures of online life could feel noticeably more current, if it’s done well.

The two companies say they will develop the project together from the start, covering the concept, dramatic treatment and screenplay. The writing team will draw on people from several creative and cultural backgrounds. That’s a more hands-on arrangement than simply licensing a finished show. It also suggests TOD wants real creative control over the content it puts its name on.

The strategy behind the deal is easy to read. TOD’s main selling point is still sport, with rights to the FIFA World Cup 2026, the Premier League, UEFA Champions League, Formula 1, the NBA and all four tennis Grand Slams. But sports subscribers tend to come and go with the seasons, and original entertainment is one of the few reliable ways to keep people paying between tournaments. Shahid has built much of its subscriber base on Arabic originals, OSN+ has been commissioning locally, and Netflix continues to invest in Arabic-language productions. TOD is clearly trying to avoid being seen as just a sports app.

For GHMZA Group, the partnership supports its push to produce more Gulf drama and to work long-term with larger regional and international platforms. It also gives Kuwaiti production a higher profile, though the industry still sits in the shadow of Saudi Arabia’s rapidly growing film and TV sector.

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