WHAT TO WATCH

Apple TV+’s Chief of War review: Jason Momoa’s blood, bone, and birthright

Dexter: Resurrection episode 5 review: murder, love, and the messy art of fatherhood

Twisted Metal season 2 review: Mackie’s Mad Max-style mayhem gets bloodier, funnier, and even weirder

Netflix’s Leanne review: divorce, dating, and belly laughs in suburban America

War of the Worlds (2025) review: less end of the world, more end of my patience

The Naked Gun (2025) review: the absurd reboot You didn’t know you wanted

Happy Gilmore 2 review: a sentimental sequel that swings wild but mostly lands

Dexter: Resurrection episode 4 review: when a serial killer party becomes a mirror

The Sandman season 2 part 2 review: a dream’s end, an ending worth remembering

Fantastic Four: First Steps review: the MCU’s most fantastic comeback yet

Washington Black review: a bold and beautiful period drama worth your time

Netflix’s UNTAMED review: Eric Bana’s Yosemite thriller is predictable but pretty

Under a Dark Sun review: a thrilling descent into motherhood and moral grayness

Smurfs 2025 review: even Rihanna can’t save these mushrooms

I Know What You Did Last Summer (2025) review: the return of a VHS-era classic

Dora and the Search for Sol Dorado review: this is what happens when you algorithm an adventure

Dexter: Resurrection review – the Bay Harbor butcher grows up (sort of)

Murderbot season finale review: the tearful liberation of a sarcastic machine that just wants to watch its shows