WHAT TO WATCH

Pluribus episode 7 review: Carol breaks, Manousos bleeds, and the hive moves in

Man vs Baby review: Rowan Atkinson’s most forgettable Christmas comedy

Ella McCay movie review: James L. Brooks misses the spark of his classics

What to watch in December on OSN+: blockbusters, big series & festive magic

Dust Bunny review: a genre-blending creature tale that never fully comes together

Wildcat Review: Kate Beckinsale’s crime caper mostly delivers, even when the budget clearly doesn’t

Who Hired the Hitman? review: a smarter, funnier, more watchable true-crime experience than the title suggests

Merv review: a depressed dog, a broken couple, and a script that doesn’t trust you

Percy Jackson and the Olympians S2 review: stormy, monster-sized upgrade worthy of Poseidon’s favorite kid

Interview with the Vampire pivots to a rock-driven retelling in its new season

Tracker S3E8 review: Colter Shaw searches for a missing girl and the real story behind it

Deadwood has respawned on OSN+: the grittiest, greatest HBO drama ever made rides back into town

Seven Stranger Things season 5 theories that are about to blow up Volume 2 and reshape the finale

2026 Golden Globe nominations: surprises, snubs, and the complete list

Percy Jackson and the Olympians season 1 recap: what to know before season 2

IT: Welcome to Derry episode 7 review: Pennywise awakens in the season’s most devastating hour

The New Yorker at 100 Review: a catnip for media nerds and culture lovers

Landman season 2 review: Thornton, Moore, and a storm of oil and power