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Reading: Percy Jackson and the Olympians S2 review: stormy, monster-sized upgrade worthy of Poseidon’s favorite kid
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Percy Jackson and the Olympians S2 review: stormy, monster-sized upgrade worthy of Poseidon’s favorite kid

DANA B.
DANA B.
Dec 10

TL;DR: Percy Jackson and the Olympians Season 2 finally grows into the show fans always believed it could be. The exposition-heavy dialogue still weighs it down at times, but the emotional core, expanded character arcs, and significantly upgraded action make this season a thrilling and heartfelt leap forward. A worthy adaptation with real momentum at last.

Percy Jackson and the Olympians season 2

4.8 out of 5
WATCH ON DISNEY+

The funny thing about being a Percy Jackson fan is that it trains you for patience the way Greek heroes train for quests—with unnecessary suffering. For years, we waited for an adaptation that didn’t feel like a demigod-themed group project thrown together the night before. When Disney+ launched Season 1, it felt like a miracle finally cashed in: Rick Riordan was present, the campers were actually kids, and Camp Half-Blood was gloriously orange again. It also felt like the show was hugging the source material so tightly it forgot to breathe, delivering a faithful but occasionally stiff rendition of The Lightning Thief. Still, it was a wildly promising start. Season 2, though—that’s where things finally feel mythic.

Returning to this world through The Sea of Monsters storyline instantly pulled me back into that warm, chaotic swirl of nostalgia. Percy’s back, Annabeth’s sharper than ever, Grover’s missing on his big Pan-hunting adventure, and Camp Half-Blood is in full panic mode because Thalia’s tree—its magical force field—is dying. Suddenly everyone’s future is in danger, and Percy is juggling monster attacks, godly politics, and the emotional curveball of discovering Tyson, his sweet, big-hearted cyclops half-brother. It’s the kind of storyline that’s always deserved space to breathe, and Season 2 finally lets it.

What’s immediately noticeable is how comfortable the show feels mixing modern humor with ancient mythology. A cruise ship filled with supernatural misfits shouldn’t work, yet somehow it does. Pop culture jokes land without breaking immersion. And when the show leans into spectacle—a storm-wracked ship battle or the gloriously chaotic chariot race—it doesn’t just work, it sings. For the first time, Percy Jackson on screen feels as epic as it does on the page.

But even with this glow-up, the season drags one Achilles heel from Season 1 into its sophomore year: exposition overload. The premiere feels especially weighed down as if the writers took a look at their outline, panicked, and decided every character needed to explain everything at all times. I get it—Riordan’s world is a lore hydra—but the result occasionally plays like a museum audio guide narrated by stressed demigods. Once the first episode is behind us, though, the storytelling loosens, breathes, and becomes far more confident.

The growth in character work is easily the best leap forward. Annabeth finally emerges as the co-lead she always should’ve been, with Leah Sava’ Jeffries delivering warmth, sharpness, and emotional complexity that Season 1 barely tapped. Watching her evolve—caught between loyalty, fear, and ambition—felt like watching the version of Annabeth every book reader has been waiting for. Percy himself feels more settled this season, with Walker Scobell bringing a grounded mix of vulnerability and dry humor that fits the role beautifully. And Tyson? He’s a standout. I was fully prepared for a clumsy comic-relief interpretation, but instead the show gives us a genuinely touching brotherly relationship that adds emotional texture to Percy’s journey.

Clarisse also gets a meaningful spotlight, finally portrayed as more than a one-note rival. Even Grover, despite being physically sidelined for much of the plot, gets moments that deepen him beyond comic timing and cloven feet. There’s a sense that the writers now understand the core strength of this franchise: character bonds, not just quests.

And honestly, thank the gods, because the upgraded action sequences deserve characters who aren’t just moving chess pieces. The visual effects finally feel confident. The scale feels right. The Sea of Monsters looks dangerous rather than “TV dangerous.” Disney+ clearly injected more budget into Season 2, and it pays off in energy, polish, and emotional weight.

Even with its lingering flaws, by the fourth episode, Season 2 feels like the Percy Jackson adaptation I’ve been waiting most of my adult life to watch. Charming, earnest, chaotic, emotional, and finally adventurous in a way that reaches beyond strict translation. If the remaining episodes hold this trajectory, this series could genuinely fulfill the prophecy of adapting all five books without collapsing under its own Olympian ambition. And for once, that doesn’t feel like wishful thinking—it feels inevitable.

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