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Reading: Bel-Air season 4 review: senior year, scandals, and a whole lot of banks business
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Bel-Air season 4 review: senior year, scandals, and a whole lot of banks business

MARWAN S.
MARWAN S.
Nov 26

TL;DR: Bel-Air Season 4 on OSN+ is the reboot’s best and boldest chapter, balancing trauma, growth, cameos, and senior-year chaos while giving every major character a meaningful send-off. Stream it without hesitation.

Bel-Air

4 out of 5
WATCH ON OSN+

I’ve said this before, but it bears repeating: Bel-Air is the reboot that absolutely should not have worked. When the gritty-drama trailer went viral years ago, it looked like someone had poured prestige-TV seasoning onto my childhood comfort show and prayed for the best. Yet here we are in 2025 with Season 4 — the final run — streaming on OSN+ and somehow feeling like a victory lap for a series that carved out its own identity while still nodding lovingly at the Fresh Prince roots.

Bel-Air Season 4 starts like it’s being shot out of a cannon. Will is literally running in the opening scene, but mentally he’s sprinting from the fallout of last season’s trauma and Geoffrey’s mysterious disappearance. Senior year at Bel-Air Academy should be chill, but instead it’s life crises stacked like Jenga blocks: a shock pregnancy for Viv, Hilary’s grief spiraling beneath her influencer polish, Carlton walking the tightrope of recovery, Phil drowning in ambition, and Will himself just barely keeping it together.

What I appreciate most is how confidently Season 4 embraces the emotional stakes. No soft goodbyes, no lazy nostalgia lap — the writers want to finish strong. Will’s PTSD isn’t a subplot; it’s the engine. His mind wanders, his focus shatters, and suddenly that LA dream he built feels like it could crumble with one wrong move. Watching him admit to Hilary that it’s the maybes keeping him up at night hit me like a late-night panic text you immediately regret sending. It’s raw and real in a way I didn’t expect from a series born out of a YouTube fan trailer.

Viv and Phil’s new-baby twist somehow works too. It should feel like a cliché, the classic TV hey-let’s-shake-things-up subplot, but instead it lands with genuine vulnerability. They spent seasons building careers, solving crises, and prepping for the quiet life. Now they’re staring at the reality of hitting reset just when the finish line was in sight, and it adds a bittersweet texture to the entire Banks household.

Coco Jones is phenomenal this season. Hilary’s grief after Lamarcus’s collapse shadows everything she does, and the show lets her sit in that space without rushing her through it. Her dynamic with Jazz gets icy, complicated, and oh-so-human. On the flip side, Carlton’s redemption arc continues to be one of the strongest emotional through-lines the series has. He’s trying to rebuild his confidence, his reputation, his entire worldview, and Olly Sholotan navigates those growing pains with a vulnerability that somehow feels both teenage and timeless.

Because it’s the final season, Bel-Air sprinkles in the kind of full-circle moments fans love. Janet Hubert showing up feels like a multiverse crossover event. Tyra Banks and Snoop Dogg drop in with pure cameo energy that actually enhances the finale vibe rather than distracting from it. This is clearly the show saying goodbye on its own terms, with its own aesthetic, and maybe a little flexing for old times’ sake.

Then there’s the baseball bat moment. I won’t spoil it, but trust me — the final shot of the first episode makes one thing clear: Bel-Air Season 4 is not coasting. It’s barreling toward its conclusion with style, tension, and an urgency that demands you keep watching.

Bel-Air Season 4 delivers a tight, emotional, stylish farewell to the Banks family. It’s messy, heartfelt, heavy in the right places, and never forgets why people fell in love with this reboot in the first place. By the end, the show has earned the right to call itself more than a Fresh Prince remix. It’s its own story — and it goes out swinging.

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