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Reading: A Road Trip to Remember review: Hemsworth’s devastating farewell to his father’s memories
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A Road Trip to Remember review: Hemsworth’s devastating farewell to his father’s memories

ADAM D.
ADAM D.
Nov 25

TL;DR: Chris Hemsworth: A Road Trip to Remember is a soul-crushingly beautiful documentary about the actor’s motorcycle journey with his father, who is battling early-stage Alzheimer’s. What begins as a nostalgia-fuelled road trip becomes a powerful meditation on memory, identity, and the heartbreak of watching a parent slowly slip away. Captured with emotional precision and cinematic tenderness, it’s one of the most moving pieces of nonfiction television Hemsworth has ever made.

A Road Trip to Remember

4.2 out of 5
WATCH ON DISNEY+

There’s a specific kind of emotional damage that comes from watching your parents age. Not the soft-focus, Hallmark-movie version where everyone learns a gentle life lesson. I mean the real deal: the messy, aching, slow-motion collapse of a person who once held your entire world together with nothing but stubbornness and a dad-joke arsenal. Chris Hemsworth: A Road Trip to Remember hits that nerve with the precision of a Mjölnir strike. And as someone who grew up hero-worshipping their own dad, this documentary absolutely levelled me.

The setup might sound like your typical celebrity-goes-on-a-road-trip fluff, the kind you watch on a lazy Sunday while scrolling TikTok and wondering if all actors eventually reach the “travelogue with parents” career stage. But this isn’t that. This is Chris Hemsworth — yes, the Thor of the Marvel Cinematic Universe, the Hollywood golden retriever with biceps that can crush vibranium — strapping on a helmet, hopping on a Harley, and trying like hell to hold together the fragments of his father’s mind as early-stage Alzheimer’s slowly erodes it. This road trip isn’t about sightseeing. It’s about time travel. It’s about fear. It’s about love.

And it broke me in the best, most necessary way.

I’ve seen a lot of “celebrity meets real-world vulnerability” projects (the 2010s really overfed us on that genre), but Hemsworth’s earlier series Limitless already hinted at something deeper bubbling under the Hollywood polish — a man terrified of his genetic lottery, aware he’s carrying the markers for dementia, trying to hack the inevitable. Here, that fear becomes painfully literal. Chris isn’t just worried about turning into his father someday; he’s watching that future play out in real time.

The documentary teams him with Dr Suraj Samtani, a clinical psychologist who explains dementia with the calm precision of someone who’s given this talk far too many times. Neural pathways decay, memories fade, connections snap — but sometimes, just sometimes, the right stimuli can slow the decline. Music, old photos, home videos, revisiting meaningful locations. You can’t reverse Alzheimer’s, but you can hold it at bay for a while, like trying to push back the tide with your bare hands.

And Chris, being Chris, doesn’t settle for playing Dad his favourite ’80s hits on a Bluetooth speaker. No, he goes full Hollywood: recreating their old Melbourne home, room by room, like a nostalgia-loaded simulation from The Matrix. Posters, furniture, photos, even the teenage chaos of his bedroom. It’s immersive therapy with a blockbuster budget. But when Craig lights up recalling the wooden planes he built for his boys — only to lose the thread minutes later, repeating the same question about his wife Leonie — the gap between hope and reality becomes painfully obvious.

There’s a moment — and you’ll know exactly which one I mean when you see it — where Craig asks, “Where’s Leonie? She coming?” for the second time in a row, in the exact same tone, with the exact same innocent bewilderment. The camera cuts to Chris, and everything inside him just… cracks.

That expression — a child watching his parent slip through his fingers — should honestly be in a museum next to universal human experiences. You don’t need to be the God of Thunder to recognise the helplessness written on his face. It’s the same look I saw on my mother when my grandmother forgot her name. It’s the same look my best friend had when his dad repeated the same story every two minutes. It’s the look of someone realising that grief can happen long before death. Dementia is a thief that steals slowly but relentlessly, and A Road Trip to Remember captures that theft with heartbreaking clarity.

The second half of the documentary shifts to Bulman in the Northern Territory — the Hemsworth family’s early stomping grounds, where Chris spent his wild bush childhood and where Craig worked as a buffalo wrangler. Yes, a buffalo wrangler. Suddenly everything about Chris Hemsworth’s energy makes sense. The man was basically raised by a real-life Australian Clint Eastwood.

The Bulman stretch is where the film goes from emotionally heavy to outright soul-punching. Because here, Hemsworth isn’t just afraid of losing his father’s present self. He’s mourning the mythic figure Craig once was — the powerful, fearless, outrageously cool dad every kid wishes they had. The dad who wrangled buffalo, raced motorcycles, protected children for a living, and still made time to knock together wooden planes in the shed.

Chris wanders through this landscape with the haunted nostalgia of someone who’s suddenly aware that childhood is a country you can visit but never return to. The red dirt, the burning sky, the smell of the bush — they hit him like sensory wormholes. His memories ignite like sparks, while his father’s struggle to grasp them feels like watching a once-bright star dim.

The documentary bookends itself with a single photograph: young Chris and Craig in the bush, father gazing at son with total devotion, son looking up with that unshakeable belief that Dad was the closest thing to a superhero on Earth. It’s eerie how much Craig looked like Chris at that age — almost like the universe teasing him with a preview of his own future.

When Chris finally finds the exact spot where that picture was taken, he looks around like he’s stepped inside his own origin story. But he also realises the truth: you can stand in the same place, but you can’t bring back the time. You can’t restore the dad you had. You can only love the one who’s still here, even as he drifts further away.

That’s ultimately what makes this documentary so devastating and so beautiful. It isn’t a science experiment, or a celebrity vanity project, or a travelogue with emotional garnish. It’s a story about a son trying to hold onto his father for as long as possible. It’s about the terror of genetic destiny. It’s about confronting the fragility of the people you once believed were invincible.

It’s also about the quiet, stubborn power of love — the kind that keeps you riding another mile, asking another question, recreating another childhood memory, even when you know the disease always wins.

Watching Chris Hemsworth — the impossibly charismatic MCU heavyweight — crumble in the presence of his dad’s fading memory feels almost sacred. It strips away celebrity and leaves behind something profoundly ordinary, profoundly painful, and profoundly human.

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